Biennale Musica 2024: Absolute Music

From 26 September to 11 October 2024, the 68th Festival is dedicated to the concept of absolute music without any extra-musical or visual references.

WEBWIRE – Tuesday, September 10, 2024

Musica assoluta / Absolute Music

Programme

The Biennale Musica 2024 is dedicated to the concept of absolute music, highlighting its contemporary relevance with new works commissioned by the Biennale Musica from the most original living composers. In sixteen days of concerts and theoretical events the Festival will bring out the meaning of music as an autonomous language and the ontological status of sound, showcasing the state of the art of this fascinating, alchemical discipline, entering the workshops of the most rigorous and inventive composers and performers who create scores, programmes, codes and performances without any extra-musical or visual references. In collaboration with LArchivio Storico delle Arti Contemporanee of La Biennale, the Festival also features a dedicated theoretical section including conferences, meetings, round tables and music lessons exploring the speculative aspects of musical language, the relationship between musical time and the phenomenology of listening, the cognitive and hermeneutic issues of the production and reception of new music and the fundamental philosophical question of the meaning of music and its linguistic and communicative essence.

The repertoire generated by the various forms of musical creativity in absolute music today embraces a wide range of very diverse compositional and performative realms. In addition to the European tradition of written contemporary music, fundamental to the development of music as an autonomous discipline, there is also the vast repertoire of the world of electronic music as well as the repertoire generated by improvisational practices witnessed by means of sophisticated recording techniques. TheAbsolute Musicfestival will present some of the major protagonists of the current global electronic and digital scene, as well as performers and improvisers active in the field of experimental jazz, highlighting the digital processes and treatments that permeate every aspect of present-day musical creation, production, performance, distribution and reception.

Golden Lion for Lifetime Achievement to Rebecca Saunders

The London-born composerRebecca Saundersis awarded the 2024 Golden Lion for Lifetime Achievement for her investigation of instrumental sound and for the intimate and hermetic poetry of the sound constructs created in her scores. The first female composer to be awarded the Ernst-von-Siemens Music Prize in 2019 and composer in residence at the Lucerne Festival in 2021 and the Berlin Musikfest in 2023-2024, Rebecca Saunders is celebrated for the subtly of her research and of her compositional goals, for the attention she dedicates to the sonic microcosm, for her ability to create in the listener a private listening space, an intimate and inner acoustic realm that develops and expands the sonic imaginary. Saunders conceives a specific timeframe for each work which becomes an investigation and exploration of the listening experience. Her elaboration of sound material is at one and the same time both profoundly speculative and strongly empirical and materic, linked to performance and to research into innovative performance strategies.

Silver Lion to the Ensemble Modern

The Frankfurt-basedEnsemble Modernis awarded the Silver Lion 2024 for its indomitable and courageous creation of musical projects in collaboration with the most interesting and renowned composers and performers spanning different media and musical languages.

In its forty-four years of activity the Ensemble Modern has distinguished itself for the curiosity, energy, innovation, virtuosity and passion with which it has dedicated itself to each new project. As distinct from other long-established ensembles dedicated to new music, Ensemble Modern has a democratic organisational structure that allows all its members to discuss and choose new productions and performance engagements together, making their interpretations compelling, shared, passionate and precise. The members of the ensemble are all soloists with their own different and contrasting personalities and each of them responds to the demands of new music in a different way to create a multifaceted and complex dialogue that enriches the compositional experience and stimulates research and creativity.

The sections of Absolute Music

The Festival will be divided into ten different sections.

POLYPHONIESpresents complex compositions for orchestra, with soloists and electronic processing. The sophisticated techniques developed by the outstanding composers featured in this section generate monumental acoustic architectures through the construction of refined sound stratigraphies. At Teatro La Fenice theOrchestra del Teatro La Fenice and Ensemble Modernconducted byTito Ceccheriniwill perform the Italian premieres ofWound(2022) for ensemble and orchestra by theGolden Lion 2024Rebecca Saunders, and Violin Concerto n. 2Scherben der Stille(2021) by the renowned Korean composerUnsuk Chin, soloistLeonidas Kavakos. A second orchestral concert at the Teatro alle Tese with theWDR Sinfonieorchester of Cologneconducted by Ilan Volkovwill presentKinderszenen(2024) for piano, electronics and orchestra byMarco Momi,commissioned by the Biennale Musicain collaboration with Milano Musica and Ircam, the Italian premiere ofBeat FurrersKonzert(2020) for violin and orchestra withviolinistNoa Wildschut, andSinfonie in einem satz(1951, REV. 1953),Bernd Alois Zimmermanns orchestral masterpiece. The third orchestral concert at Teatro alle Tese featurestwo world premieres commissioned by the Biennale Musica:Sospesofor amplified orchestra byLuca Francesconi, andNocturnesfor orchestra bySalvatore Sciarrino, Golden Lion for Lifetime Achievement in 2016. Both premieres are entrusted to theFrankfurter Opern-und Museumsorchesterconducted by the German conductorThomas Guggeis.

ASSOLOis a section devoted to sophisticated virtuoso instrumental compositions, according to the conceptual idea that writing for solo instrument can offer a complete expression of a composers aesthetic. The French pianistBertrand Chamayouwill give a recital includingGolden Lion for Lifetime Achievement 2019 George BenjaminsShadowlines – six canonic preludes(2001), which renew the tradition of contrapuntal piano writing, and the Italian premiere of the completePiano Etudes(1995-2003) by the Korean composerUnsuk Chin, as well as theworld premiereofFantasy For Piano SolobyMiles Walter(1994), the young American composer and pianist selected for theBiennale College Musica Composers. The up-and-coming Japanese pianistChisato Taniguchiwill perform a selection from the celebrated solo piano collection by the Spanish composerAlberto Posadas,Erinnerungsspuren(2014-18) celebrating great composers of the past through different piano techniques, with analytical reflections on the two great 20th-century German masters Karlheinz Stockhausen and Bernd Alois Zimmermann, as well as theworld premiereofRifrazioneby the Frankfurt-based Japanese composerMiharu Ogura, commissioned by the Biennale Musica. This section will also feature the American violistHannah Levinson, who will presentMicrocosmic Viola-Unveiling Hidden Soundscapes, aworld premiere for solo viola byJaeduk Kim(1995), a young South Korean composer selected for theBiennale College Musica Composers 2024, together with the Italian premieres ofTombstone(2017) by Iranian composerBahar Royaee, andMind Is Moving No. 5(2015) by American composerMichael Pisaro-Liu, a member of the Wandelweiser Composers Ensemble dedicated to the research of liminal music and the integration of silence into the sphere of instrumental research.

LISTENING/HEARINGis an installation space for individual listening that will be available throughout the Festival in the Sale dArmi E of the Arsenale, with sound diffusion curated by French composer and sound engineerThierry Coduys. This sound-chamber will present works of digital and acousmatic electronic music, both composed in the studio and generated in concert with innovative technologies, to showcase current trends in electronics in the field of research into absolute music. The listening space will be created by the German light designerTheresa Baumgartnerfeaturing, in the centre of the space, a Disklavier for theworld premiere ofthe installation version ofPiano Space(2021) by the refined Russian composerDmitri Kourliandski. This will be followedby the world premiere of the multichannel spatialisation version ofTravelling Voices(2024) by German electronic research pioneerChristina Kubisch, a work based on recordings made in St. Marks Basilica of compositions from the Venetian School performed by the Cappella Marciana conducted by Marco Germani, by the Italian premiere ofFlgelnwund(2023) by the acclaimed Moldavian composer and violinistPatricia Kopatchinskaja, the French composerBernard ParmegianismasterpieceDe Natura Sonorum(1975), which will be produced by Radio Frances INA GRM, the Italian premiere of the electronic workVolvelle(2015) by the English composerNatasha Barrett, and the world premiere ofZeal, awork for multi-channel diffusionby the young Italian composerMattia Parisse(1998), selected for theBiennale College Musica – Composers 2024.

Another major INA GRM production receiving its Italian premiere is the acousmatic workMeithby French composerFranois J. Bonnet, which will be flanked by one of Swedish composerHanna Hartmans famous electronic compositionsFracture(2016), produced by Deutschlandfunk Kultur. The programme also includesIannis Xenakiss electronic masterpieceBohor(1962), theworld premiereofJohn Zorns version for multichannel diffusion ofHermetic organ,commission by the Biennale Musica, andthe world premiere, commission by the Biennale Musica, ofAbsolute Hallucination(2024) for Disklavier generated by an Artificial Intelligence program and conceived by the Iranian composer and programmerAli Nikrang,in co-production with the Linz Ars Electronica festival.

SOUND STRUCTURESis a section dedicated to large-scale compositions that explore the physical nature of sound, taking the audience on an immersive journey into the reality of acoustic emanations. The featured works present aspects of rituality and extreme acoustic violence, modulated through continuous rhythmic metamorphoses. At the Teatro alle Tese, two impressive twentieth-century masterpieces for percussion ensemble will be performed:Le noir de ltoile(1989-90) by Grard Grisey with theEnsemble This-Ensemble Thatin collaboration with the Italian percussionistFederico Tramontanaand the Polish percussionistAleksandra Nawrocka, selected for theBiennale College Musica Performers; andTutuguri VI (Kreuze)(1981) for six percussionists byWolfgang Rihm, Golden Lion for Lifetime Achievement in 2010, performed by the young German collectiveChristian Benning Percussion Group; also on the programme is theworld premiereofRoakron, a work for percussion commissioned by theBiennale Musicafrom the Israeli-Palestinian composerSamir Odeh-Tamimi. In these performances, which highlight the power of percussion instruments and the extraordinary timbres and colours they can create, the audience will be free to move around the percussionists so as to appreciate the different acoustic perspectives generated by the volcanic nature of the performance act. Elsewhere, at the Teatro Piccolo Arsenale the dynamic American ensemble consisting of two percussionists and two pianistsYarn/Wirewill present theworld premiereof Swedish composerLisa StreichsOrchestra,commissioned by the Biennale Musica in collaboration with the Miller Theater at Columbia University, and the Italian premiere ofLaminar Flow(2020/2021) by the young Italian composerZeno Baldi. This section also includes a performance ofAntonio VivaldisLestro Armonicoin the Chiesa della Piet with theVenice Baroque Orchestra conducted by Andrea Marconto highlight the Venetian composers extraordinaryante litteramwork in pure, autonomous instrumental research. The section concludes with a concert by theEnsemble Modernconducted byBas Wiegersfeaturing the Italian premiere ofSkull(2023) by theGolden Lion 2024Rebecca Saunders, commissioned by theBiennale Musicain collaboration withEnsemble Modern, Oslo Sinfonietta, Ensemble Contrechamps, Acht Brcken Musik fr Kln, which is preceded bySonic Ritual, a vast fresco for percussion by the very young Hong Kong composerAlice Hoi-Ching Yeung(1999) selected for theBiennale College Musica – Composers, performed by percussionistsBrian Archinal, Federico TramontanaandAleksandra Nawrocka.

ABSOLUTE JAZZfeatures soloists from different cultural backgrounds who draw on the language of jazz in their improvisational research, understood as a compositional practice based on recognised codes. The Viennese performerGeorg Vogelpresents hisClaviton, an instrument in which the octave is divided into 31 tones, based on the natural system first coined by Gioseffo Zarlino in Venice in 1558, and makes use of contrapuntal techniques in the dizzying intensity of his sound speculations. The Lebanese violinist and composerLayale Chakerpresents the performanceQarar/Jawab (Internal Dialogues)where she plays a six-string violin with an additional three resonance strings specially built for her by Per Hardestam allowing her to explore the complexity of classical Arab music revisited through a performative language that lies between free jazz and elaborative techniques based on the Maqam modal systems. The American trumpeterPeter Evanshas created an original and synthetic style of different experimental realities capable of generating spectacular labyrinths of sound.Tyshawn Sorey, American composer and multi-instrumentalist, is an artist recognised in the spheres of both jazz and contemporary classical music for his innovative work and iconoclastic approach and represents the vanguard of a new generation of performers/composers determined to transcend the boundaries and divisions between different genres. In his performance ideated for the Biennale Musica, titledAlonehe will play the piano.

German light designerTheresa Baumgartner,artist-in-residence at the Biennale Musica 2024, will create the spatial concept of this section with performance-specific designs for each artist.

COUNTERPOINTSpresents the large-scale contrapuntal mechanisms present in the field of contemporary composition, complex structures that come alive and dissolve over the listening time, musical devices that transport listeners into Escheresque soundscapes to the point of losing contact with factual and prosaic chronological reality.

The section will feature two founding works for violin and piano by the Russian composerGalina Ustvolskaya, theSonata(1952) andDuet(1964), which will be performed by the exceptional duo consisting of violinist and composerPatricia Kopatchinskayaand pianistMarkus Hinterhuser, a virtuoso and artistic director of the Salzburg Festival. The sophisticated and innovative FrenchQuatuor Blawill present theItalian premiereofNympha [Jardin Secret III](1987), a masterpiece for string quartet and electronics byKaija Saariaho, with live electronics curated by the composer and performerJean-Baptiste Barrire, in memory of the great Finnish composer, Golden Lion for Lifetime Achievement 2021, who passed away last year. The program will be completed with anotherworld premiere,Nano II, a work by Hristina Susak, a young Serbian composer selected for theBiennale College Musica – Composers 2024. The energetic New YorkAttacca Quartet, winner of two Grammy Awards, will present theworld premiereof the celebrated American composerDavid Langsdaisy, commissioned by the Biennale Musicain collaboration withParabola Foundation, Amsterdam String Quartet Biennale, as well asGeorge Crumbs masterpieceBlack Angels(1970) for amplified string quartet. The section will close with a concert by theKandinsky Quartet, a Viennese string quartet selected through the Biennale College Musica Performers, who will perform classic works from the contemporary quartet repertoire includingA Failed Entertainment(2013) byClara Iannotta,Georg Friedrich HaassQuartet no. 10(2016), together with the short and visionaryScratch(2012) by the Slovenian composerVito uraj.

SOLO ELECTRONICScomprises three concerts with renowned protagonists of experimental electronics and sophisticated technologies. The concerts will take place in Padiglione 30 of the Forte Marghera and the audience will be able to walk freely around the performance space. The first concert features a live performance bySam Barker, an Irish composer who has expanded the boundaries of rhythmic research with a techno influence, and a performance byTim Hecker, an influential Canadian sound artist of pure electronic research, and concludes with the articulate and virtuoso djset by the young German of Mozambican originCecilia Tosh. The second concert withRichard Devine, Pan Daijing and Ss GunverRybergmarks a new important collaboration between the Biennale Musica and the legendary Berlin festival CTM, where the three artists take turn with live performances to create a complex and enthralling listening of sounds derived from analogue and digital sets. Atlanta-based composer and sound designerRichard Devine,recognised for his creation of scratchy and textural sound stratifications, presents a live for multichannel diffusion, young Chinese artist and composerPan Daijingcreates site-specific immersive noise environments for the space of Pavilion 30 in Forte Marghera, while Danish composerSs Gunver Rybergs performance analyses liminal areas of electronic sound creation. This section will also see theworld premiereof a new commission from the Music Section of the Berliner Knstler*programme of the Deutscher Akademischer Austauschdienst (DAAD) in Berlin directed by musicologist Dahlia Borsche: the workMut Naq Fo Mus (Ic)for pentaphonic viola and electronics by Hungarian composerZsolt Srs/Ahad, a piece that highlights the linguistic characteristics of a great musical tradition, reworked with extraordinary technical expertise. The concert ends with the performance byAsh Fure,Animalfor sounds and lights, and with a DJ-set by the well-known South African producer and artistRobert Machiri. The setting for the three concerts inside Forte Margheras Padiglione 30 will be created by the German light designerTheresa Baumgartner.

PURE VOICESis a section designed to suggest the possibility that vocal music, when linked to a distilled and deconstructed text drained of its semantic and communicative significance, can give rise to pure music projects, leading the listener to an ecstatic and meditative experience. In theBasilica di San MarcotheCappella Marcianaconducted by Marco Gemmaniwill perform Swedish composerLisa StreichsStabat(2018) for four choirs in 32 voices together withPierluigi da PalestrinasStabat Mater(c. 1590) and another setting of theStabat Mater(1597) byGiovanni Croce, an important representative of the sixteenth-century Venetian School. At the Teatro alle Tese the Corsican conductorCatherine Simonpietriand the Parisian vocal ensembleSequenza 9.3will performSaline(2011) by Latvian composerSanta Ratnieceas well as theMissa Syllabica(1977-1996) by the renowned master of vocal experimentation in the sacred sphereArvo Prt, along withRadiance(2015) for choir and live electronics by Lithuanian composerJustė Janulytė, a work focused on the expansion of sound radiation in which the voices become bearers of linguistic detritus.

MUSICA RESERVATA, either a style or a performance practice appeared in the mid-sixteenh century meaning that experimental music should initially be addressed to a select audience or even conceived only for the composer himself and his performers, lends its name to this section featuring ambitious research works for one instrument or for a small ensemble of virtuoso instrumentalists. In the extraordinary space of theSalone Sansoviniano of the Biblioteca Marciana, the Austrian composer and viola da gamba playerEva Reiter, performing together with the viola da gamba playerRomina Lischka, will presentthe world premiereof herLétoffe de la mémoire(2024) for two viola da gambacommissioned by the Biennale Musica, alongside theConcerts deux violes gales(1600) byM. de Sainte-Colombe. In a second concert in the space of the Salone Sansoviniano, the cellistMassimo Raccanelliand viola da gamba playerCristiano Contadin, with the young Italian viola da gamba playerGiulio Tanasini, selected for theBiennale College Musica, will performBenedetto MarcellosSei Sonate Op. 2(1712) for two viola da gamba and cello, alongside theworld premiereof a work by the German composerIsabel Mundry,commissioned by the Biennale Musica. This section is completed bySz, a performance by the Iranian composer and poly-instrumentalistGolfam Khayambased on traditional Persian music and on ornamental techniques in the context of improvised performance.

RICERCAREis a theoretical section in which the protagonists of the festival will reflect on various aspects of their compositional and performance work in relation to the concept of absolute music. The meetings will be held every morning in the Biblioteca dellArchivio Storico delle Arti Contemporanee ASAC and will include lectures withDavid Lang, Georg Vogeland the artistic director of CTM BerlinRemco Schuurbiersas well as two conversation between composersMarco MomiandLuca Francesconiwith music historian and radio speakerOreste Bossini, a conversation betweenSalvatore Sciarrinoand theorist and journalistDaniela Bruniand a conversation betweenGolfam KhayamandManfred Eicher, founder of ECM Records. The section will also include four important round tables with international specialists in their respective fields: the first on the orchestration-related research of theACTOR Project(Analysis, Creation, and Teaching of Orchestration)with the participation of international researchersRobert Hasegawa, Makis Solomos, Moe Touizrarand the composerDaniele Ghisi, hosted by the musicologistIngrid Pustijanac; the second, hosted by musicologistStefano Lombardi Vallauriand with the participation of music philosopherCarlo Serraand composersMarco Momi, Salvatore SciarrinoandIsabel Mundry, will consider liminal music and silence as a compositional element; the third, organised in collaboration withEBU Euroradio Music Exchange, will be presented by the institutionsDirector Pascale Labrieand hosted byPatrick Hahn, Artistic Director of the Wittener Tage fr neue Kammermusik and Musik der Zeit, and with the participation of a number of European radio programmers includingHerv Djardin, Pierre Charvet, Giovanna NataliniandSofi Jeannin; the fourth concerns present-day electronic compositional research, as discussed in the context of theDAAD Artists-In-Berlin Program, with the participation of the composers and performers of electronics,Ash Fure and Zsolt Srs / Ahadtogether withRobert Machiri, and will be hosted byDAADs Director of Music, Dahlia Borsche. As part of this section, musicologist and pianistGiovanni Biettiwill present a new cycle ofLezioni di Musicacurated by Paola Damiani, live on Rai Radio3, focusing on speculative music of the past, with works by Olivier Messiaen, Igor Stravinsky, Guillaume de Machaut and Johann Sebastian Bach. In theSale Apollineeof theTeatro La Fenice, the Venetian composer and pianistLuca Moscawill offer his analytical reflections and piano elaborations of the two masterpieces of Venetian Baroque instrumental music on the programme, VivaldisLestro Armonicoand Benedetto MarcellosSonatas Op. 2, to highlight the importance and influence of these great masterpieces of the past on the current production of absolute music.

The meetings and round tables will be introduced by the young musicologists selected for the programme of theBiennale College Asac-Scrivere In Residenzawith the coordination of the music historian Vincenzina Caterina Ottomano.

The complexdocumentation projectof the four festivals of theBiennale Musica 2021-2024, directed byLucia Ronchetti, for theHistorical Archiveof La Biennale di Venezia will be the subject of around table discussionwith the director of the ArchiveDebora Rossiin conversation withVincenzina C. Ottomano, Tutor of the College Scrivere in residenza-Musica and coordinator of the Documentation Project, and the young musicologists selected in the Asac-Scrivere in residenza Programme 2021-2022 and part of the documentation teamChiara Casarin, Anna Martini, Marco Surace, Giulia Vitale, Michele Leggieri, Oscar CorpoandGiovanni Meriani.

Biennale College Musica 2024

TheBiennale College Musica 2024project is closely integrated into the wider festival project and is dedicated to absolute instrumental and electronic music in the fields of both performance and composition. The eleven young musicians under 30, selected from 408 applications from 58 countries, have been and will be in residence in Venice during three two-week periods, working together with tutors to prepare various different compositional and performing projects within the framework of the festival. The programme will feature five major world premieres byMattia Parisse, Alice Hoi-Ching Yeung, Miles Walter, Hristina SusakandJaeduk Kim, as well as new performances of contemporary works by viola da gamba playerGiulio Tanasini, percussionistAleksandra Nawrockaand theKandinsky Quartet, comprising Hannah Kandinsky, Israel Gutirrez, Ignazio Alayza and Antonio Gervilla.

The tutors of the Biennale College Musica 2024are renowned composers and performers in their own right, committed to the composition and performance of complex music and with a long and well-established pedagogical experience as lecturers at major institutions and as invited tutors at some of the most important international seminars and workshops:Luca Francesconi, former artistic director of the Biennale Musica, Italian composer of operas produced at some of the most important venues and of major orchestral projects that have been performed all over the world;David Lang, eminent American composer of the post-minimalist generation, founder of the New YorkBang On A Canfestival, author of symphonic and operatic works and well-known film soundtracks;Eva BckerandMegumi Kasakawa, cello and viola soloists of the Frankfurt Ensemble Modern, Silver Lion 2024;Brian Archinal, American percussionist, member of the percussion ensemble Ensemble This-Ensemble That, lecturer at the Hochschule der Knste Bern;Federico Tramontana, a young and emerging Italian percussionist, selected for the Biennale Musica College 2022, in which he demonstrated exceptional talent and great creative skills;Bertrand Chamayou, the renowned French pianist, who has always dedicated himself to both classical and contemporary repertoire, a performer of great physical and emotional power who has also studied composition and who possesses both didactic and organisational experience;Thierry Coduys, French composer and sound engineer, who has been in charge of all the festivals electronic productions for four years now and who has demonstrated technical ability, innovative creativity, and empathy towards the young people selected;Herv Boutry, an outstanding organiser, former director of the Ensemble Intercontemporain and French dramturge, with a thorough knowledge of the contemporary electronic and instrumental repertoire, ideal for supporting young artists in the development of their compositional and performing ideas.

A new cycle ofaudio documentaries for Rai Radio3s Tre soldiwill be made again this year byGiovanna Natalini, documenting the compositional workshops of the young artists selected for theBiennale College Musica.

The Italian Conservatoire Student Jury Prize

TheBiennale Musica 2024will see the fourth edition of theItalian Conservatoire Student Jury Prize, which will involvestudents aged under 25 selected by the directors of Italian conservatoires. The students will attend the entire Festival under the guidance ofOscar Pizzo, pianist, organiser and scholar in the field of current music writing. The jury will award a prize for theBest Compositionand a prize for theBest Performance. The involvement of these young Italian musicians responds to the need to connect with audiences of the new generations, actively involving them in discussions about the current music scene presented by the Biennale Musica through meetings, debates and other face-to-face encounters that will make the Festival a more fertile and forward-looking platform.

The Absolute Music Catalogue

The Absolute Music 2024 cataloguewill be edited byOreste Bossini.The catalogue features original contributions commissioned by the Biennale Musica from renowned international critics and musicologists includingMichael Struck-Schloen, Paul Griffiths, Michael Rebhahn, Ilija Trojanow, Ingrid Pustijanac, Ali Nikrang, Stefano Lombardi Vallauri, Sarah Collins, Marcello Ruta, Kees Vlaardingerbroek, Tobias SchickandLukas Daum.

Chiara CasarinandGiovanni Meriani, young musicologists selected for the Biennale College ASAC-Scrivere in residenza programme will translate the texts into English, andRichard Carrwill continue his precious collaboration in translating the texts into Italian.

The Dutch photographerMarco Borggrevewill produce the images for the catalogue with graphic layout by the Headline studio coordinated by Flavia Fossa Margutti.

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