House Judiciary Committee Demands Greater Transparency from ASCAP, BMI, Other PROs

Photo Credit: Capitol Hill by Noelle J. Lee

The House Judiciary Committee expresses concern about the lack of transparency from performance licensees and the ā€˜proliferation of PROs.ā€™The US House Judiciary Committee has sent a letter to the Register of Copyrights, Shira Perlmutter, to request an examination of ā€œemerging issuesā€ related to performing rights organizations (PROs), including ASCAP and BMI.

Signed by the committeeā€™s chairmen Rep. Jim Jordan and Rep. Darrell Issa, and member Rep. Scott Fitzgerald, the letter addresses two particular areas of concern ā€” the ā€œlack of transparencyā€ surrounding the distribution of licensing revenue, and the ā€œproliferationā€ of new PROs.

ā€œIt is difficult to assess how efficiently PROs are distributing general licensing revenue based on publicly available data,ā€ reads the letter, obtained by Billboard. ā€œFor example, it is difficult to determine how accurately lesser known and independent artists as well as smaller publishers are being compensated compared to widely popular artists and major publishers.ā€

The letter continues, ā€œrequesting that the [copyright office] examine how the various PROs currently gather information from live music venues, music services, and other general licensees about public performance; the level of information currently provided by PROs to the public; whether any gaps or discrepancies occur in royalty distribution; what technological and business practices exist or could be developed to improve the current system; the extent to which the current distribution practices are the result of existing legal and regulatory constraints; and potential recommendations for policymakers.ā€

While the ā€œproliferationā€ of PROs is a somewhat new concern, the questions surrounding transparency have circulated for some time. The National Music Publishersā€™ Association (NMPA) has spoken publicly about it, particularly after BMI switched its business model from non-profit to for-profit, being acquired by private equity firm New Mountain Capital.ā€œI believe that you have a fundamental right to know what it costs you to use a particular collection society,ā€ said NMPA CEO and president David Israelite back in February. ā€œNow I will tell you that ASCAP gives you a pretty close look at what it costs; not exactly, but they give you a pretty close ballpark,ā€ he continues. ā€œBMI, at the end of the last fiscal year, we didnā€™t get that information.ā€

The House Committeeā€™s request for what business practices exist or could be developed to improve the current system seems like a fairly easy one to tackle, at least on the surface. There already exists a company called Audoo which is doing exactly that; the company utilizes dedicated in-venue monitors to track songs, with installations in places like Australia and New Zealand.

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