“Gretsch’s most exciting release of the year. A genuine joy to play”: Gretsch Electromatic Jack Antonoff Signature “Princess Antonoff” CVT review
Guitar World Verdict
Gretsch’s best release of the year, Jack Antonoff’s signature revives the long-forgotten Princess and combines it with some Jazzmaster style and flair. The result is a truly unique guitar, and a refreshing entry to the ever-growing signature market. A genuine joy to play, and quite unlike anything you’ll be able to find elsewhere.
Pros
+One of the most exciting and unique Gretsch signatures in years.
+A genuine delight to play.
+Excellent hybrid of Jazzmaster and vintage Princess designs.
Cons
-Expanded switching circuit might not be for everyone.
-Tremolo system not always the most reliable.
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Gretsch Electromatic Jack Antonoff Signature “Princess Antonoff” CVT : What is it?Gretsch has been on a formidable recruitment drive this year, signing up some of the biggest names in contemporary music. As well as launching artist guitars for Orville Peck, Portugal. The Man, and boygenius, the signature savvy firm – which sits under the Fender umbrella of brands – has now announced arguably its biggest new signing to date: Jack Antonoff.
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Ratings scorecardTestResultsScoreBuild qualityA few small issues★★★★☆PlayabilitySwitching position takes adjustment ★★★★☆SoundsThe pickups offer excellent P-90 voices★★★★1/2OverallA fresh take on a vintage design★★★★☆
Squier J Mascis Jazzmaster
$599/£499
Spiritually inspired by the same gold-and-white Jazzmaster that Antonoff based the Princess on, the J Mascis signature Jazz could be for you if you’re not fussed about the new body design.
Gretsch boygenius Broadkaster Jr
$699/£650
Another one of Gretsch’s stand-out signatures from the year that will cater to more traditional Gretsch fans – but good luck finding this very limited edition.
Squier 40th Anniversary Jazzmaster
$599/£499
Similar to the J Mascis Jazz, this white-and-gold beauty harks back to the vintage Fender that Antonoff
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Senior Staff Writer, GuitarWorld.com
Matt is a Senior Staff Writer, writing for Guitar World, Guitarist and Total Guitar. He has a Masters in the guitar, a degree in history, and has spent the last 16 years playing everything from blues and jazz to indie and pop. When he’s not combining his passion for writing and music during his day job, Matt records for a number of UK-based bands and songwriters as a session musician.
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