Dolce & Gabbana Fall 2024 Menswear
The invitation to todayâs Dolce & Gabbana menâs show came on a thick black card overprinted with just the word âSleek,â so you thought you knew what to expectâlean silhouettes devoid of embellishments, some polished gloss, fastidious grooming. But as Domenico Dolce pointed out at the press conference, words often bring us to all the wrong places, evoking predictable images or meanings. âWhat this collection is about is actually quite simpleâtrue elegance,â he said. âItâs about the beauty of the handmade and the supreme quality that comes from our almost obsessive knowledge of the rules of tailoring.â
Itâs knowledge theyâve certainly mastered, as their sartoria was established in the first place when they launched their brand in the mid-â80s; the practice of the fatto a mano, the handmade, has always given substance to their designs. Itâs not a secret that the suits coming from their ateliers are among the best in the business. This collection was a celebration of the designersâ sartorial expertise, grounded in the great tradition of classic Italian tailoring yet synced up to meet the renewed flair for elegance of young generations. âThe proportions and construction are of the essence: a well-cut jacket gives you posture and presence,â said Stefano Gabbana. âYet itâs not only a decades-long passionate dedication to exacting execution,â said Dolce, âItâs also about our constant rumination on the idea of masculinity.â
The showâs 62 looks were mostly suits and mostly in black, with only three suits in white, a coat in camel, another in gray and a couple of fabulous, outstanding furs made out of fluffy shearling. Tailoring obviously reigned supreme, infused with both precision and sensuality, permeated with a sense of romance and old-school allure the designers called âaristocratic as in a Visconti movie, fit for a young Helmut Berger or Rudolf Nureyev.â
The elegant repertoire of spencer jackets, tuxedos, and tight-coats was given a languid formality, with luscious blouses in creamy satin replacing white poplin smoking shirts and frivolous bows closing buttonless blazers. Thin scarf collars and organza flowers on flat black patent evening shoes hinted at a sensuous take on the masculine. The soundtrack, a soulful piano piece, as well as the soft-gray padding of the venue, gave the show a chic, velvety vibe.
As always with Dolce & Gabbana, there was no shortage of front row action. While Jeff Bezos took in the atmosphere, wife Lauren Sanchez watched proudly as her son Nikko Gonzalez walked the show. Outside the Metropol venue, the usual screaming crowd of teenagers went crazy for young Korean stars Rowoon, Younghoon, Hyunjae, and DPR Ian, who were dressed not in shredded denims or slouchy tracksuits, but in Dolce & Gabbanaâs impeccably cut sartoria suits.
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