“It’s Chuck Rainey’s concept of ‘what you don’t play is as important as what you do play’”: After decades of studio sessions with artists ranging from Eric Clapton to Usher, Nathan East reflects on the business of bass
By now, the bass guitar world has grown accustomed to Nathan East breaking new ground – from the R&B/funk dimension he brings to rock god Eric Clapton, to the considerable writing, singing, and soloing skills he displays with jazz über-group Fourplay, to the “real” bass he adds to mechanized Top 40 hits by artists like Mary J. Blige, Justin Timberlake, Usher, and Daft Punk.
As a sideman for over 50 years, there’s nothing East hasn’t done. Seminal recordings with Lionel Richie, Kenny Loggins, Whitney Houston, Michael Jackson, and Elton John, as L.A.’s first-call bassman? Check. Performing and touring across six continents with artists like George Harrison, Sting, Herbie Hancock, and Toto? Done. Co-writing a No. 1 hit – Easy Lover, with Phil Collins and Philip Bailey? Yessir. Somehow, East has also found time to head in the direction of solo artist.
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