Marc Jacobs Spring 1998 Ready-to-Wear

Editorā€™s Note: Marc Jacobs is American Vogueā€™s first guest editor. To mark the occasion, this early collection has been digitized as part of Vogue Runwayā€™s ongoing efforts to document historical fashion shows.

A look at Marc Jacobsā€™s spring 1998 show offers a master class in quiet luxury more than 25 years before it became a trend, and an AP-level lesson in American style. The collection skews young. White shirts and pleated skirts call to mind the clean orderliness of school uniforms, while the sleeveless sheaths capture the propriety of the ladylike, or debutante, aesthetic. Though itā€™s more difficult to put oneā€™s finger on the element of cool, itā€™s definitely there, and is related both to ease and touch.

ā€œAt show after show last weekā€¦ outrageously luxe basics [took] to the catwalk,ā€ wrote Londonā€™s Evening Standard at the time. ā€œThe apotheosis of this low maintenance, high luxe mood were Marc Jacobsā€™s ā€˜cashmere tulleā€™ T-shirts, as expensive as a round-the-world plane ticket, as simple as American pie. And impossible to copy.ā€ The richness of the piece is difficult to discern with the eyes, but easily felt when the fabric is next to the skin. This feels in line with Americaā€™s Puritan legacyā€”with taste filling in for faith.

Demonstrating his own belief in Jacobsā€™s talent, earlier in the year LVMHā€™s Bernard Arnault had tapped the New Yorker to develop a ready-to-wear line for Louis Vuitton. (See Jacobsā€™s Paris debut here.)

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