Mary Katrantzou Spring 2024 Ready-to-Wear
A photograph of the designer and writer Pauline de Rothschild in her bedroom, with its hand-painted chinoiserie panels of flowering plants and trees, was Mary Katrantzouâs starting point for pre-fall. âThis season,â she said, âI was really looking at this connection between interiors and exteriorsââhence Rothschildâs âtrompe lâoeil conservatoire,â and other dresses depicting ceiling cornices out of an Italian palazzo and formal gardens of the sort seen at Versailles.
Trompe lâoeil motifs are a longstanding signature of Katrantzouâs, and some of her followers might experience dĂ©jĂ vu flipping through this look book. That is entirely intentional. âWe always reintroduce a print from our archive. When youâve been in the game for 15 years; theyâre almost vintage,â she said with a laugh.
Recently named the creative director of leather goods and accessories at Bvlgari, Katrantzou also designed the gowns worn by performers at the Olympic flame handover ceremony at the Temple of Hera in Greece earlier this year. The dresses boasted trompe lâoeil details of their own in the form of black and white Doric columns, like relics out of ancient Olympia. âThe idea was to take inspiration from the environment itself and play on the idea that, at the acropolis, the actual columns are women. Theyâre symbols of the strength of women.â She reported that she received some customer requests for special orders but had to decline them. âWe had to explain that they were a gift for the Olympic committee and also for Greece.â
Here, the motifs are more subdued and more traditionally feminine. The silhouettes also tend to be simpleâtried-and-true instead of experimental. This is seen in a fluid caftan and a fitted midi-length tank dress which also features embroidery. Thatâs wisdom gleaned from experience; a bold print makes extreme shapes unnecessary. It may indeed be something she learned from that favorite photo of Rothschildâs bedroom, which is notably spare save for those detailed chinoiserie panels.