Monse Resort 2025

There are two stories running through Monseā€™s resort collection. The first half alluded to the ā€œvacationā€ aspect of resort collections. This one was inspired by Laura Kim and Fernando Garciaā€™s travels to a villa in Tuscany, plus ā€œ1970s horse posters, and this painting from the 1800s of a sunset in Antarctica.ā€ They fed those images into an AI to create ombrĆ© color palettes, and perhaps more excitingly, ombrĆ© color palettes made up of printsā€”look closely and you can see a horse or a tree hidden on a silk button down shirt and a matching handkerchief hem with a thick leather waistband; or a lonely iceberg floating at the bottom of a sheer skirt the color of an orange sky. A classic khaki trench with crochet panels in shades of green, yellow, orange, and red was one of the highlights of the collectionā€”inspired by their favored ombrĆ© technique, but interpreted differently.

The second half of the collection was all about getting back to business. ā€œSince Covid weā€™ve been staying away from tailoring a little bit because people stopped buying suit jackets, but we began getting back into it last fall,ā€ GarcĆ­a said. ā€œThatā€™s how we started our brand; they were our bread and butter.ā€ The designers love to play with unexpected collar placements on their jackets: wrapping them across the chest on an elongated vest, left extra long and only half-attached in the manner of secretary blouse ties on a gray jacket, or having one side of the collar jut out at an angle on a double-breasted wool herringbone jacket. Elsewhere, there were other hybrid pieces, like a three-in-one knit twinset or a coat built to look like a classic navy peacoat layered over a quilted gray blanket.

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