Tone Talk with Karen Bella: “The definition of tone to me is ‘Leveled Sonic Energy.’”
In today’s Tone Talk interview, the dynamic NYC and Long Island-based singer-songwriter Karen Bella has mastered the art of crafting songs that weave together folk, rock, R&B, pop, and country influences shares her unique perspective on tone, her gear of choice, and what keeps her sound consistently authentic across diverse venues and audiences.
Known for her commanding presence and rich, versatile voice, Bella has a knack for captivating audiences, turning every performance into an intimate experience. With roots in the “classics” and a dedication to musical exploration, her journey began early; by age nine, she was recording in studios, and by 12, she was penning her first songs. Bella’s discography, including her self-titled EP and the recent single “Rise Up,” has not only resonated with listeners but has also amassed thousands of streams and chart success.
What is your definition of tone, and how has it changed over the years?
The definition of tone to me is “Leveled Sonic Energy.” I’ll explain. When I adjust my mixer or amp, I’m looking for that ‘sweet spot.’ Every room has a different build, which affects the tone of the instrument in hand. Voice included. And every instrument requires a specific frequency that sets the appropriate sound where everything resonates just right.
Which guitars, amps, and pedals are you currently using and why?
AMPS: At most of my gigs, I use my Fishman Loudbox Artist. It’s the perfect build for a singer-songwriter, allowing the artist to have clear vocals and a guitar, even keys. It’s got a mini mixer, Bluetooth, and a great crisp sound for almost any room. The Fishman is also great for full band shows, using it as a DI, in a way. I’ve currently also included a JBL EON712 into my performances to add volume toward the crowd, especially in outside shows. The JBL’s also are great monitors.
PEDALS: The pedals I use with my guitars are the Line 6 DL4 MkII Delay Modeler Looper and the Electro-Harmonix Nano POG Octave pedal. I do go through phases of different brands of loopers and such, but lately, I’ve been using these two a lot.
GUITARS: I use a few different guitars. It’s a mix of a few brands. I’ve got my acoustics, which are a Martin DCX1AE Macassar, a Yamaha AC3R, another Martin Road Series, and my electric, which is a ’96 Fender Stratocaster — all equipped with Elixir strings. I like to have different types of guitars — each one sounds different and compliments specific songs better than others.
What about strings?
Elixir, of course! Each guitar has specific types of strings that I feel sound best with them.
Yamaha: Elixir 80/20 Bronze Polyweb 12’s
Martin DCX1AE: Elixir 80/20 Bronze Polyweb 11’s
Martin Road Series: Elixir Phosphor Bronze Nanoweb 12’s
Fender Strat: Elixir Nickel Plated Steel Polyweb 11’s
Are there certain recording techniques you prefer in the studio?
When recording guitars, I think a combination of mic and direct plug-in is ideal. There is more girth to choose from. With that said, I make sure I have a great engineer for any studio session.
How do you keep your sound consistent onstage?
That is a great question! Keeping your sound consistent is hard at first. You kind of need a lot of experience in performing at so many different venues and adjusting, but with that experience, you can know what it is that you need to change on a mixer, amp, or guitar that allows the best results. Someone pointed that out to me once, saying that no matter where I performed, my sound was always the same! HAHA!
What does your practice consist of?
When I find the motivation to practice, I like to work on finger flexibility and soloing over a blues progression track. I’ve also been singing my solo notes out loud to see how connected my voice, brain, and fingers are! It’s good practice, for sure!
Favorite guitar riff or lick that inspired you to play guitar?
When I was in college, I aways fantasized about hanging with a group of friends while playing fun songs. At the time, I only knew how to play on Guitar Hero. So, one day, a friend recommended that I take lessons with one of my professors, and the rest is history. And yes, I’ve since then had many hangouts with guitar-playing fun.
What is your advice for young women who hope to work in the music industry?
I was raised by an alpha personality type woman. My mom is such a go-getter and pusher when she has to be. I think it’s really important for women to know how strong they are and that they can do anything and everything within the industry. It’s important to always believe in yourself — no matter what people say — and to have a thick skin. Know what your goals are and keep your eye on the prize.
Connect with Karen Bella
Website: www.karenbella.com
Facebook, Instagram & TikTok: @karenbellamusic